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2013.05.17 Fri, by

Glance: from Arles to Beijing

A glance at the group photography show by French students of the Arles school, at 798 Space. >> Read more
2020.05.28 Thu, by

Eyes on the Prize: The Inaugural 2020 Sigg Prize
Interview with Uli Sigg, Suhanya Raffel, M+ Director, and winner Samson Young

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more
2019.09.01 Sun, by

Dear Diary: Three and A Half Performances

Three and A Half Performances…… >> Read more
2019.05.08 Wed, by

a’a'a’jiao: an ID
How Art Museum

AIKE is delighted to share aaajiao's solo exhibition "a'a'a'jiao: an ID" at How Art Museum (Shanghai) from April 27, 2019 until July 14, 2019. >> Read more
2018.10.31 Wed, by

Francis Alÿs
La dépense
Rockbund Art Museum Shanghai

The Rockbund Art Museum Shanghai will present the first large-scale solo exhibition in China by the Belgian artist Francis Alÿs, “La dépense,” from November 9, 2018 to February 24, 2019, curated by Yuko Hasegawa. >> Read more
2018.09.05 Wed, by

The Tissue of Memory
Simon Lee
New York

Simon Lee Gallery New York is pleased to present The Tissue of Memory, a cross-generational group exhibition that considers the gesture and its history, as exemplified by the practices of Kelly Akashi, Robert Mangold, Agnes Martin, Win McCarthy, Monique Mouton, Josephine Pryde, Gary Simmons, Cy Twombly, and Heimo Zobernig. >> Read more
2018.07.20 Fri, by

Buddha has sex

Desire and the visual have forever been intertwined. You cannot desire what you already have, so the object of desire is something spatially removed from oneself – a distance that can only be bridged by our sense of vision. All other senses, touch, smell, taste and even sound require a much closer proximity than sight. […] >> Read more
2018.07.05 Thu, by

Fantastic Grounds: Jiu Jiu and the Politics of the Digital Image

From his 2016 solo show “Making Good Things Go Better” at Telescope Space to “Fantastic Grounds” in 2017, Jiu Jiu has been concerned with looking at counteracting forces produced by the formation of images. But the computer interface still remains in the “othered” position of being objectified, whether it is in the artist’s artistic process or the audience’s viewing experience. >> Read more
Think, 2018.06.29 Fri, by

Is Sound Critical?—”Grounds for Sound” Research and Practice

Over the past few years my research has focused on the development of sound art and experimental music practices in China since the early '90s. My approach to these practices has been strongly influenced by the idea that sound can be critical. >> Read more
Interviews, 2018.05.12 Sat, by

Larger than Life—AA Bronson and Alvin Li in Conversation

Perhaps no one in the western art world today has more to say about a whole host of topics, from independent publishing, to queer history, to dealing with loss and hope, than AA Bronson. >> Read more

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